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A Harp and a Stone

Harp Camp photo by Mary Dessein
Harp Camp. Can you imagine such a divine experience – to be with twenty other harpists over a weekend to play together, to learn, to be supported in your music wherever your expertise is, without competition?

The event’s official name is the Puget Sound Folk Harp Society Annual Summer Harp Retreat. It was Harp Camp to me. Not only were my companions of kindred spirit, we were at Camp Casey on the west side of Whidbey Island, right on the beach, where I could wander and see the Port Townsend ferry going back and forth as I skipped rocks. Smooth, flat rocks like my dad showed me were the best to propel across the water.

Of the total twenty-four people there, I knew one person. And she knew one person there: me. So, compatriots.

This Harp Retreat has been going on for over twenty years, I was encouraged to attend it by my harp teacher a few times. I always had a reason I couldn’t go: timing, work, finances, kids – I was not very creative. The real reason being, of course, that I was afraid I wasn’t good enough and in such a situation, everyone would know!

The event was planned so well: we had two-hour breaks for meals which allowed us time for wandering, socializing, walking to the Admiral Head lighthouse, and/or jamming together. As I walked the beach, I kept a vigilant eye out for the flat, round, palm-of-my-hand sized skipping stones. I also saw tangles of cola-colored kelp, empty tan and orange crab shells with green algae growing on them, long strands of green quarter-inch wide seaweed all carried up onto the rocky beach in the calming soosh of the waves.

I was skipping along in my life, doing things I enjoyed, with a rather whimsical approach, not really knowing or planning where the skip would take me, yet enjoying the hopping along.

Certainly I had heard the various guides to success: make a five and ten year plan; focus on your goal; Action Changes Things. I read and enjoyed Steven Pressfield’s books on artistic endeavors, including ‘The War of Art’ and ‘Do the Work.’ I am a walking, talking example of the power of Resistance, Steven’s embodiment of the things that combine to sway us from our creativity.

Harp Camp got over late morning on Sunday. I visited with others, helped clean up, made a last walk to the nearby beach. Then launched toward home. My intuition guided me to the longest route; going straight home was not an option. I returned to the Admiralty Head Lighthouse, then walked on the beach at Ebey’s Landing a couple hours, at Deception Pass Park another hour, and stopped on the Deception Pass Bridge for a while. The beauty, wonder, energy, insight, and honesty were swirling around inside me, forming words so I could understand the swirl.

I knew what I felt: wonder, excitement, connection to new friends, hope, humility and … a clearer knowing.

Smack-a-roo right in my face: I could be a better harpist and better musician. Why wasn’t I doing it? I knew clearly what I wanted: to make music, write books, teach along the way, and perform.

My friend Greg D., richly experienced and skilled guitar player and performer, has gotten on my case about using more harmony and options with my left hand. I processed this a few ways, including telling him once that I am a harpist not a guitarist. Yet, what I now see, one of the things he was pressing me to do was be better. And that he believed I could be.

Marianne Williamson’s words come back to me, words I have used often in teaching, “Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that frightens us most. We ask ourselves, ‘Who am I to be brilliant, gorgeous, talented, and famous?’ Actually, who are you not to be? …Your playing small does not serve the world.”

I can coast along and do fine. There are many things I am good at, thank you very much. Is fine good enough?

As my earthly clock is ticking much faster now, my mortality has become more real. Health concerns? Not significant ones, but I’ll never see 50 again. So…I must now dispel my denial that I will actually really die one day as well as my tendency to procrastinate doing creative things in order to do a myriad of other ‘important’ things. Yes, for other people or entities, hence the shadow.

Steven Pressfield identifies the ‘shadow career’ or ‘shadow life,’ as something I am good at, may even excel at, yet is not my passion or my talent, nor does it fulfill me the same way engaging in my creativity does. It is a shadow in that because I am successful doing the shadow activity, it fools me away from my passion; my ego may join forces with the shadow, “You’re good at this, don’t rock the boat.”

As I look back on Arthur Storch’s comment to Aaron Sorkin, “You have the capacity to be so much better than you are,” I admit I wanted to shine but have been afraid to shine too much. Some is okay but too many people noticing me? Nope, uh-uh, no way.

I am now seeing the limitations I have put on myself. The allowing myself to chase nearly every shiny thing I see has certainly brought me some interesting experiences (walking on the Great Wall of China, putting my hand on the pyramids at Chichen Itza, paddling a gondola in Venice, climbing the 284 stairs to the top of L’Arc de Triomphe to view the vista of Paris) and there is value there. Yet, I need to find the balance.

Yup, it is time to be honor my talents and step out. I will up my game. “… playing small does not serve the world” or me. As a child on the beach with my dad, there were times when I had just the right stooped-over-to-the-side posture, my stone hit the water at just the right angle, and I sailed a stone so that it skipped seven times in its dance across the water.

My skipping stones are now stepping stones.

Peter, a Dragon, and a Candle

Peter Yarrow. 2018
Peter Yarrow had his 80th birthday a month ago. He wrote ‘Puff the Magic Dragon’ fifty-seven years ago when he was in college, inspired by a poem written by Leonard Lipton, about children growing up and losing their belief in magic and wonder.

Last night at the Mount Baker Theater in Bellingham, Washington, Peter invited all the children in the audience up on stage to sing it with him as the closing song for the first set. Then considering the audience demographics, he added, “And if you’re a parent, or grandparent, come up with your child. Or if you’re a child at heart.” The audience chuckled. At least fifty people trickled up the steps to join him on stage, from pre-schoolers to elders.

I felt tears sliding down my cheek as he held the microphone to a 6-year-old boy who sang solo, “Puff, the magic dragon lived by the sea, And frolicked in the autumn mist in a land called Honahlee.” Then he held the mic to a little girl who sang it, to a middle-aged woman who sang it, then to a man in his thirties who sang it, and to several others who sang solo to the enraptured audience. And of course, for the rest of the song, the audience was singing with him. Peter encouraged that throughout the concert. “Together they would travel on a boat with billowed sail.”

Peter Yarrow was himself. Calm, rich with experience, and experiences. He marched for civil rights in the March on Washington, D.C. in 1963; he was at the bedside of Pete Seeger in 2014 as he was dying; he founded Operation Respect to reduce violence and bullying in schools, and as part of the iconic trio, Peter, Paul & Mary, released something like thirty albums.

Calm, funny, relaxed, sincere, heart-touching, Peter made no attempt to break new ground. He sang what people loved and were moved by. Folks songs, songs by Hedy West, John Denver, Pete Seeger, Woody Guthrie, Bob Dylan, as well as gems by he and Paul Stookey. He told stories nearly as much as he sang. He threw out invitations, and challenges, to build bridges and community. He was himself, doing what fulfills him.

This was about legacy. He no longer needs to prove anything to anyone. In his relaxed manner, his generosity seemed endless: he talked with scads of people, posed with countless folks for pictures, signed books and CDs. The concert went nearly three hours.

A legacy of the strength of music, of respecting diversity, of building community and relationships, of honoring our military personnel, and of speaking up for what’s right. A legacy of hope.

“Light one candle for all we believe in, That anger not tear us apart.”

I Just Had To…

Drawing by S., CP Elementary student
“I stayed in from recess to make this for you.”

She reached out tentatively to hand me a water-color drawing she had made. She being a 6th grade student who had been in the first class I performed for that morning.

“I just had to do this. When you told the story about the two sisters with one’s name like mine and the harp made of bones, I had to draw this.”
What a picture: there was my harp, me, and three of the stories I’d told! She’d heard, she’d listened, she’d thought.
No wonder I do this.

When I was in Juvenile Detention last week, the jail facility for kids under age eighteen, I was in the library waiting for my first class of kids. One of the boys saw me from the hallway and snapped, “Oh f—.” Not the usual response when kids see me, I am happy to report, however, it was his that morning. The boys trooped in and sat down in the semi-circle of chairs facing me. He pulled his tee shirt up to below his eyes, crossed his arms, and looked down at his feet, legs stretched out in front of him. Thirty minutes of stories and music later, he was sitting up asking questions, and forty minutes later he was telling me how he would have changed one part of the folktale from Ecuador I had just told them. After the Haitian tale, “One My Darlin,” he made a comment about forgiveness, which started a discussion among the boys.

No wonder I do this.

Jill Johnson, an accomplished writer, teacher, storyteller, and actor, wrote about when she was telling to and with elders in Auckland, New Zealand in February of this year, that when she saw the elders tell family stories, the youth listening, and the priceless connection being made, she said, “THIS …. is why I do this work.”

I get it more clearly every time I perform lately – telling and making music for elementary school kids, incarcerated kids, or my neighbor. The connecting, the re-discovering the truth that people have common elements of being human be they from China, Patagonia, Egypt, Saskatchewan, or Iceland. You never know what will reach someone. My part, and privilege, is to deliver the story, keep out of the way the best I can, and let the story spin out its storyness.

Rambling on Story

In China. photo by Mary Dessein
I have a pale dusty-blue gauze curtain in my writing room window, which allows me to look out yet not be readily seen, lets daylight in, and makes a wee bit of a buffer for the cold air in winter.

In wondering what to launch my writing with today, I figured I’d look at one of the many blogs I have started, that await completion. Then I looked up at my curtain and there in the wrinkly texture of the fabric, I saw the word, ‘Story.’ On a forty-five degree slant down from left to right, in a jaggedy font, I saw ‘Story.’ Like a shape in the clouds, no one else may be able see it, but I did.

How cool is that? There were stories at the Board meeting this a.m., a friend has stories to tell me about the wild City Council meeting on Tuesday, always Story. My podcast co-host and I caught up our stories with each other yesterday at the radio station. The Jimmy Webb song I’m learning, Wichita Lineman, is a story and the life of the song itself is a plethora of stories. Most songs are stories.

Country music legend, Harlan Howard’s quote that “a great country song is three chords and the truth,” is oft-repeated. Harlan was interested in story early on, being an avid reader since childhood and having “an ear for a telling phrase.”

A friend told me that some in her book club thought one of the novels by T. Coraghessan Boyle, who has won more awards than I have fingers and toes, was implausible because that much bad cannot happen to one person. So for stories to be believable do they have to be similar to our own, or something we can relate to? Like the Syrian family who’s boat capsized as they fled for their lives across the Mediterranean Sea to reach Greece, leaving the young father to see his three year old son’s body washed up on shore in Turkey, later to find his wife and other son had also drowned? Many of us saw that on the news, and were not only stunned but grateful that story was not our own. The stars in the sky are easier to count than the scenarios that fit into the “how did they ever live through that?” category.

Story – contains our humanity, recalls it, records it, and reminds us of our own.
“I fall to pieces each time someone speaks your name.”

Story. It all comes back to story, often with questions. Is the story true? How could that be? What is the human component? If the actual story isn’t provably true, the story is the vehicle for the human truth contained within it. Such as Ananzi the spider smashing a gourd on the ground, which releases all the common sense stored in the gourd out into the world; an explanation for the truth, if you will, being that some people have common sense, while others appear to have little.

As a professional storyteller, after I would perform in elementary schools, often students came up to me with seeking eyes to ask, “Is that true?” Animal tricksters, gossiping trees, tall tales, legends. I would answer, “There is truth in every story I tell. Flying donkeys may not actually exist, however, there is a lesson or an element that is true that we need to know. That’s why we tell stories that are thousands of years old: they contain human truths that we need to hear.”

Is fiction really fiction? Arguably, yet it contains human truths that we need. That’s why there are best-sellers, be they romance, detective, historical, fantasy, thrillers, super-heroes, or westerns. We crave those truths, and are intrigued, interested, or captivated to observe characters going through all the machinations to get to them, while we safely turn the pages. Granted, some truths are really difficult to accept. A recurring theme for me, I’ll be coming back to this concept. Truth – belief – choice.

“I fall to pieces each time someone speaks your name.
I fall to pieces, time only adds to the flame.”
Ah, Harlan and his three chords.

Truth & Dare …

My mom & her sister, Jackie 1929

Did I mention the signals my foot has been receiving from outer space? Maybe I didn’t, thinking you might not understand.

I, too, thought they were something else.
The first one came as I was sitting in my living room reading when I felt the outer side of my right foot vibrate, like my phone does when I receive a text. Hhhm, the stereo must be louder than I realized as I figured it was the music vibrating through the floor. Then it happened again a few minutes later. I got up and turned the stereo down. Soon my foot vibrated again. This time, I turned the stereo off.

A little while later, the same unmistakable vibration buzzed my foot. Was this some weird kind of stroke? I had no other symptoms, no discomfort; nada niente nothing to indicate I was having a physical issue.

That scenario was repeated in other rooms of my home, at various times. It became clear to me these vibrations were messages meant to get my attention. Where could they be originating? It had to be from space. I wasn’t standing on my cell phone. Or on my stereo. Or my microwave. Or my portable heater. It had to be outer space.

I grew up with Rod Serling, Isaac Assimov, and Madeleine L’Engle. I learned long ago that the truth often comes packaged as fantasy. Truth is easier to accept that way when it seems to be someone else’s made-up story.

Reminds me of the movie, ‘A Few Good Men,’ when Jack Nicholson shouted, “You can’t handle the truth!”
A Few Good Men‘ was written by Aaron Sorkin. Ah, the truth.

In dealing with one person I am on a volunteer committee with, I am frequently frustrated by her ‘little white lies,’ her denials, her positioning herself to look important and be the boss. When I gently called this out recently from a side angle about members making decisions for the committee yet without committee input, she again lied, denied, and huffed. I got no support from the other members, yet their silence also contained no defense of her. I so wanted to holler, “You can’t handle the truth!”
I didn’t. Yet later I did wonder, are there times when that applies to me?

As to Aaron Sorkin, he knows alot about alot of things. He reports a pivotal impact in his life was from one of his teachers at Syracuse University, Arthur Storch, who repeatedly said to Aaron, “You have the capacity to be so much better than you are.” Finally, Aaron asked the famous director and alumnus of the Actors Studio, “How?”
Storch answered, “Dare to fail.”

Truth. Failure. Growth. Ask questions. Follow the thread of intuition – trust it will lead somewhere valuable. Or, it will protect.
Dare.

What was the message from outer space? Perhaps to pay attention. Trust. Watch small things, as everything has importance. Learn to prioritize.
Let whimsy lead me to the truth? Or… I have the capacity to be so much better than I am?

We shall see.