A Goose

The Field photo by Mary Dessein
There were two inches of snow on the extensive lawn and soccer field below my home, it was about 34 degrees. Frozen, cold, beautiful.
There was a lone Canadian goose stepping back and forth in a small area down on the field, about three hundred feet from my window. After a few minutes, it simply stood still. It was unsettling to see the lone goose there.

Surely it would fly off. It didn’t.

What could I do to help it? I was sure approaching it with bird seed was not a good idea. I would watch it. Perhaps call Animal Control if it didn’t fly off. Surely it would fly off.
Geese are not supposed to be alone. They instinctively stay in community and watch out for each other; often dropping out of their flying wedge formation if they detect one of their own is struggling. I came back to the window a little while later, the goose was still standing there, now with it’s neck drooped down, head lowered as if hopeless.

When I returned home, it was mid-afternoon. The goose was then sitting down, with its head lowered, in the same place it had been standing.
My heart felt like a fifty pound lump of coal as I looked at the lost, alone, cold bird. It hurt to stand there and watch the bird. I went off to find some phone numbers.

Two days before, on New Year’s, I texted a close friend, wishing her a fabulous 2018 and telling her she rocked! Her answer was, “I am afraid.” Of course, I texted back asking if she needed help, was she safe?

A few minutes later, she explained she was afraid of 2018. As 2016 had been a difficult year with several family dramas and sorrow, she had looked forward to a happier 2017. Which turned out to be so filled with pain and betrayal, she felt she couldn’t live through anything more. So … she was afraid of what 2018 would bring.

Where do you turn, what do you do when you are afraid of the next day? The next month? Who do you turn to when those close to you have left you? Aren’t we supposed to be a community and watch out for each other?

Fear. An F-word to be sure. Some say it is an acronym for Forsake Everything And Run (censored version), a short term strategy to avoid the problem causing the fear. However, the problem will likely still be there when you get back. More helpful to me has been False Evidence Appearing Real, as over time I recognized that most of my fears grew out of my self-doubt, trepidation about doing something new, or standing up for myself.

I saw a t-shirt years ago at a department store emblazoned with “Fear is a Thief.” It stopped me for a moment as that truth registered in me. Indeed, my fears had held me back from many things. Many things you don’t, I don’t, get a do-over on.

My heart hurt to hear of my tender friend living in that fear and foreboding on New Year’s Day, when so many people are high-fiving each other, celebrating a fresh start after some time off, and looking forward to opportunities. What could I do to help?

Be in her community. Alas, my magic wand to tap her three times and dissipate her fear has long since disappeared. I had it when I was five but somewhere along the way, I lost track of the darn thing.
Maybe that’s for the best.

There are times when I think of that goose. It still twangs my heart to see the picture so clearly in my mind of the elegant bird alone and hopeless in the white expanse. That day when I came back to the window after finding possible animal rescue phone numbers, the goose was gone.

Where? I’ll never know, I can only hope. My friend? I will be there to listen, and walk with her.
Maybe hope will come along, too.

Resonance, eh?

photo Sean Gaskell

A kora is a musical instrument, originating in west Africa, which has 21 strings. Picture a large guitar, only the body is round, made from a large calabash (a variety of gourd) and the strings go straight up from the body, like a harp, not across it, as with a guitar. The strings are played with the thumb and index finger, while the remaining three fingers grip a handle on each side of the instrument. (Sean Gaskell: House concerts 7/15 Bellingham, 7/16 Snohomish. See the end for info)

All those strings make for a good deal of resonance as they vibrate and reverberate so close to each other. Were some of those strings added primarily to increase the resonation?
Increase resonation in order to enhance the sound, the feeling, the beauty of the experience?
How many of us add things to our lives simply to add resonance? To enhance our lives?
Certainly music would one thing, the resonation an obvious aspect, from along a spectrum of “Row, Row, Row Your Boat” to “Also sprach Zarathustra.” The origins of “Row, Row, Row Your Boat,” as so often with old folk tunes, are uncertain. The tune and lyrics familiar to us today were recorded in 1881. Then in 1896, Richard Strauss was inspired by Friedrich Nietzsche’s novel, ‘Also sprach Zarathustra,’ to compose a magnificent piece of music which continues to inspire and awe. Most of us are acquainted with the first section of it, the spectacular fanfare, ‘Sunrise.’

When I look at enhancing my life, adding resonation to what I do, and how I process the world around me, music absolutely comes to mind. Meeting new people and experiencing friendships are another ‘absolutely.’ Also, at this time in my life, some important teachers are making a profound impact as I understand more deeply their lessons: Julia Cameron, Steven Pressfield, Angeles Arrien, and Miguel Ruiz.

There is an expression about whether to be a human being or a human doing. A gift from Julia has been me allowing myself to be. I listen to the myriad of birds in my yard, smell the summer air wafting with mown grass and honeysuckle, I hear my cat prancing around meowing his comments to me. Previously, I was busy doing, with no time for such things.

“Be open to outcome, not attached to outcome,” said Angeles. A life-changer when I can do it. Then Miguel’s, “Don’t take anything personally.” Freedom and peace come with this, when I can do it. Peace is a wondrous resonation at this time of my life, when I can appreciate it and be conscious of whether I create it. Or not.

Come – be with us for some wondrous resonation, music, and stories with Sean Gaskell, master kora player. House concert in Bellingham on Saturday 7/15 at Doug & Melinda McLean’s home @ 4 p.m.
In Snohomish on Sunday 7/16 at Rick & Lynda Condon’s home at 4 p.m.
Suggested donation is $15 – $25, no one turned away.
RSVP me at mary@marydessein.com or my facebook page.
See you there ~

A Communal Hallelujah

Photo by Mary Dessein
Photo by Mary Dessein

In Dublin, on April 13, 1742, at age 57, George Frideric Handel debuted his new oratorio, Messiah. He composed it in 22 days. Are you kidding me? It takes me 22 days to clean my house. Even though he was a superstar at that time in London, he had worn out his fans with insignificant operas, and he’d gone bankrupt a couple times. (I had no idea you could go bankrupt in 1742.) So when he was invited to Dublin, across the water he went.

Last week, at Blessed Sacrament Parish in Seattle, their Schola Cantorum, Soloists, and Baroque Orchestra performed for nearly three hours to present Messiah. How many hours of practice that took is beyond me. And the music director, Matthew Loucks. There are not many people I would kiss the ground they walk on. We have never met, yet I watched what he did, how he did it, and the results that together they all achieved. The 21 member choir, soloists, and Baroque Orchestra were passionate; inseparable from the music they were making. They must have been high for days afterward. I hope so.

“But you don’t really care for music, do you? It goes like this, the fourth, the fifth, the minor fall, the major lift. The baffled king composing Hallelujah.”
Years ago, I sang in a randomly recruited choir assembled for a performance of John Michael Talbot’s The Lord’s Supper. The practices were challenging, as most of us had some singing/music background but were far from professional vocalists. However, we were motivated to sing this beautiful piece: the numerous parts, the harmonies, and the community of us working and singing together to live up to the beauty of the music and bring it live to others.

“There’s a blaze of light in every word. It doesn’t matter which you heard, the holy or the broken Hallelujah.”
Supposedly when King George II heard the Hallelujah Chorus the following year at its debut in London, he was so moved by it that he stood up. Of course, when the King stands, so does everyone, which is why audiences by tradition still stand today during performances of the Chorus. There are those who don’t stand, saying it pays respect to a long dead monarch and a societal practice, not to the music. Seems fitting to me to recognize genius, tradition, and a rich beauty that elevates us. When I hear the first notes of the allegro Hallelujah Chorus, I am filled with the exuberance of the music – standing up is the natural response. As I watch the wave of people around me rising to stand, I become part of a community of joyful listeners, joined witnesses to human endeavor. And hope.

“I’ve told the truth, I didn’t try to fool you. And even though it all went wrong, I’ll stand before the Lord of Song with nothing on my tongue but Hallelujah.”

Having a bad day? Feeling hopeless? Just want to feel alive? Listen to the Hallelujah Chorus. It doesn’t matter what religion you believe in or don‘t, what spiritual practice you have or don‘t. If the lyrics don’t work for you, pretend you don’t speak English. Hear the magnificent harmonies, sophisticated timing, exquisite layering of voices, subtleties and dynamism, and the trumpets! Oh the trumpets!

Listen.
Hear the brilliance of Handel and the beauty of human creativity and expression. If you don’t cry, I cry for you.
Thank you, George. Thank you, Leonard. Thank you, Matthew & company.